For the longest time Columbus has been considered a typical American city and its local population has been viewed as a mirror image of the U.S. population as a whole. For this reason the city is often used as a testing ground for corporate America’s latest products and services.

Large chain retailers and brands such as Abercrombie and Fitch and The Limited (parent company of Victoria’s Secret) are headquartered in Columbus. Similarly, large insurance companies are firmly based there as well.

Despite such facts, Columbus doesn’t lack personality and is not afraid of supporting independent initiatives. And with the largest university campus in the United States, Ohio State University is a strong local asset that grows and graduates inspired young minds and plays a role in spreading fresh ideas into the city’s diverse communities.

During our short stay, we had the opportunity to walk High Street of Short North, an area recently praised in the New York Times. Highlights include Jeni’s Ice Cream offering handmade confections made with locally sourced ingredients, the spacious and luminous Northstar Cafe, and Tigertree, a select store with unique design pieces from the area and beyond. The noteworthy North Market (the only market in Columbus and also small business incubator) was unfortunately closed during our visit.

The Smithsonian is the world’s largest museum complex that includes  19 museums, 17 of which are located in Washington D.C. One can look at it as a cluster of varied architectural buildings or a giant display of over 136 million objects, artworks and specimens. Visitors have free access and usually make the effort to walk the long distances from one building to another – the Smithsonian website clearly advises people to wear comfortable shoes before a visit.

Due to our limited schedule, we narrowed our visit to the National Museum of the American Indian (pictured above). We were initially attracted to its controversial postmodern design which was previously referred to as “native by design” by the National Geographic magazine. The building was designed by several Native American architects – Douglas Cardinal, a Blackfeet Indian; Johnpaul Jones, a Cherokee/Choctaw; Ramona Sakiestewa, a Hopi, Donna House, a Navajo/Oneida, and Lou Weller, a Caddo Indian – and its construction was assisted by a Native American Design  Collaborative known as the Table Mountain Rancheria Enterprises.

The museum has an exterior cladding of Kasota dolomitic limestone that give the building the appearance of a stratified stone mass that has been carved by wind and water. The interior is unfortunately more conventional and consists of dark gallery spaces generously filled with over a million artefacts.

A temporary exhibition called Ramp It Up: Skateboard Culture in Native America caught our attention. By looking beyond the traditional representations of Native American culture, this show reflects indigenous culture in a 21st century context. We learned that skateboarding has inspired many Native American youths to start their own companies and build community-based skate parks in the United States. By fusing design, graphic art, filmmaking, and music through skateboard culture, those individuals are affirming their identity within contemporary American society, perhaps to also show that their heritage is vibrant and alive.

The Design Center at Philadelphia University is located at the former private residence of Goldie Pailey (mother of CBS founder, William Pailey). The house borrows from California’s mid-century modern architecture. Even though the house has been converted into a gallery, the interiors have been kept intact. It features a beautiful 50’s kitchen with original appliances – that serves as a meeting room, closet spaces and bathrooms, including one that is being used as a site-specific installation room filled with light bulbs. Some vintage cabinets and drawers have been turned into mini fiber galleries by designer Todd Oldham  (pictured above). In fact, there is not a single space that is not creatively occupied at the Design Center. It is a real cabinet of curiosities.

Lace in Translation (pictured above) is the latest exhibition at the Design Center. Dutch design studios Demakersvan, Cal Lane and Tord Boontje were given access to the Quaker Lace Company’s collection to re-interpret the pieces and produce something new. The results are original pieces of contemporary furniture, garden sculptures and interior objects that reflect the delicate complexities of lacing.

Providence, one of America’s oldest cities and the birthplace of the American industrial revolution, pursues Rhode Island’s story of innovation through its schools, its communities, its businesses and its public services. It is a city that uses its creative resources to transition from past to present and understands the need for a more sustainable future.

Providence is a mid-sized city that is conveniently located between New York and Boston and is known for its outstanding young student population. The renowned RISD and Brown University play a major role in the community and are sources of valuable ideas for the region and the world. Since 2008, A Better World by Design is an example of how local and international designers come together in Providence to think about a better future through design: how can we reshape our community and sustain our environment?

Providence is an inspired city because it is constantly searching for newness and ideas, whether it is food or new places to experience and visit. At the Steel Yard, people connect while learning about things that are hand-made, introducing welding, blacksmithing and casting amongst others activities. This former steel and iron industrial site serves as a catalyst for urban regeneration and community growth through creative approaches. Meanwhile, La Laiterie promotes “haute farmhouse cuisine” by featuring the best of local and seasonal produce on their menus. The honest quality of its dishes is a reason in itself to visit Providence.